For Openbank, we wanted to build a world that felt playful, tactile and completely real.

Instead of relying on post-production, we designed and built physical sets with interactive mechanisms, moving walls and practical effects that could transform around our characters in camera.

A big part of the fun was choreographing performance, camera and set mechanics to work together as one. Creating a visual language where every transition and transformation happened for real, giving the film a sense of spontaneity, precision and controlled chaos.